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Global Timecode
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01
Output
Mode
Global Time of Day
Single file
Batch files
Continuous file
Real-time LTC locked to the global timecode (everyone in sync).
Interval basis
Timecode
Real time
Timecode = clean downbeat values. Real time = exact elapsed seconds (drifts from TC in drop-frame).
◉
Global time of day
Time base
Global · UTC
Local
Global · UTC = every node reads identical frames.
Local = your timezone's wall-clock.
Sync
Locking to the global timecode…
Output device
System default
Choose
Send LTC straight to an interface — no need to change the system default. “Choose” opens your browser’s device chooser.
◉
MIDI Time Code
MIDI output
Click to enable MIDI…
Start
Quarter-frame + full-frame SysEx, locked to the same global timecode. Pick a port — a DAW, hardware synth, or USB-MIDI interface.
MIDI output
The Web MIDI API is available in Chrome, Edge & Firefox — not Safari. Open this page in one of those to send MTC.
02
Format
Frame rate
03
Timing
Start timecode
First downbeat / free-run origin · HH:MM:SS:FF
End timecode
Files span start → end · HH:MM:SS:FF (wraps past midnight)
Interval between downbeats
min
sec
hr
Preroll to downbeat
sec
Program length (after downbeat)
sec
min
Postroll (optional)
sec
Duration
hr
min
sec
One continuous free-running LTC file from the start timecode.
04
Broadcast Wave file
Sample rate
44.1 kHz
48 kHz
88.2 kHz
96 kHz
192 kHz
Bit depth
16-bit PCM
24-bit PCM
32-bit float
Output level
-20 dBFS
-18 dBFS
-12 dBFS
-9 dBFS
-6 dBFS
BWF originator
BWF description
05
Batch
Files in span
One file per interval, from start to end.
▣
File 1 · preview
Start (preroll)
--:--:--:--
Downbeat
--:--:--:--
End
--:--:--:--
UTC --:--:--
LOC --:--:--
Biphase mark · downbeat frame ·
80 bit
Files
—
Per file
—
Total audio
—
Size ≈
—
≣
Schedule
#
File
Start
Downbeat
End
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